13 Tzameti (2005) Film. Director : Gela Babluani

Nedense hep kotu sans getirecegine inanilan 13 rakamin sonucunda da insani urkuten,insan olmanin  sinirlarini bu kadar zorlayan, bir ucurumun boslugunda basbasa birakiyor dusunceyi?

yasamin getirdigi zorluklarla hayata tutunmaya cabalayan insanlarin, bazende nedensiz olsada merakimiza yenik dusebildigimiz anlar hep cikiyor karsimiza.  Sebastian, kendisine ait olmayan bir mektup ve icinde izlemesi gereken yontemle bilmedigi ve donusu olmayan bir kaosun icinde bulur..

insan ahlakinin curumuslugunun getirdigi yikimlarla, daha fazla para kazanmanin hirsinin burundugu bireylerin, insan olumuyle sonuclanan bir bahis dehsetinin yasandigi andir karsimiza cikan..

yonetmen ozellikle her olumun yasandigi sahneyi nedense isiklarin yanmasiyla ozlestirmeyi uygun bulmustur, belliki insan dehsetinin, kokusmuslugun yasandigi yasanmakta olan bu karanlik trajedi tabloyu; isigin herdefasinda yansimasi,  kisinin kendi vicdaniyla, ahlakiyla bir kez dahada olsa yuzlesmesini ve gercekligin tum ciplakligiyla ortaya cikmasini, gormesini saglamasidir.

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For some reason, always believed to bring bad luck number 13 as a result of humanunnerving, so pushing the boundaries of a human being, leaving a gap cavity lock me thinking?people struggling to hold on to life with the challenges of life, and sometimessuccumb to curiosity Although dusebildigimiz moments always come upon agratuitous. Sebastian, in a letter and should follow that does not belong to him anddid not know yontemle finds in an irreversible chaos ..MORAL rottenness of the destruction brought by people, more money has assumedthe ambition of individuals, resulting in the death of people we encountered is whensusceptible to the horrors of a bet ..

especially susceptible to every death in the burning of the stage system as describedozlestirmeyi Director considers it appropriate that for some reason, the humanhorrors Obviously, this dark tragedy, which happens kokusmuslugun susceptible tothe table; light herdefasinda reflection of one’s own conscience, morals, though once again refreshed and confront the emergence of reality in all its nakedness, is that to see.

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